Album of Persian and Indian calligraphy and paintings
This is an album (muraqqaʿ) of Persian and Indian calligraphy and paintings, most probably compiled in the thirteenth century AH / nineteenth CE. The album contains thirty-four illustrations, three of which are attributed to the Mughal painter Abū al-Ḥasan (Nādir al-al-Zamān), two to Manūhar, and one each to Dawlat and Ṣādiqī. There are several portraits of rulers and courtiers, as well as scenes from historical manuscripts, such as Bāburnāmah and Gulistān by Saʿdī. This album is also significant for the number of works by the artist Shayk Abbāsī, who worked in the eleventh century AH / seventeenth CE. The signed calligraphic pieces bear the names of ʿImād al-Ḥasanī (d. 1024 AH / 1615 CE), ʿAlī Riz̤ā-ʾi ʿAbbāsī, Mīr ʿAlī, and ʿAbd al-Rashīd al-Daylamī (d. 1081 AH / 1670-1 CE). The album was initially in an accordion format and was later made into a codex. The lacquer binding with central ovals and pendants decorated with flowers dates to the thirteenth century AH / nineteenth CE. — Walters Art Museum Illuminated Manuscripts
In 1882, Selim-Girei Tevkelev who in 1865 was appointed the Mufti of Orenburg turned to and obtained agreement from minister Count Tolstoy with the requirement for a mosque in St. Petersburg. In 1906, the Minister formed a special committee headed by Ahun Ataulla Bayazitov to collect 750,000 rubles within 10 years for the construction of the mosque. They organised collections in towns and providences of Russia and received donations from many sponsors. In addition the committee input securities in total amount of 142,000 rubles and also stamps for mosque’s project. The biggest donor was Said Abdoul Ahad, Emir of Bochara who undertook all expenses for the building. –Wikipedia
Die, selfish gene, die >>
For decades, the selfish gene metaphor let us view evolution with new clarity. Is it now blinding us?
Perhaps better then to speak not of genes but the genome — all your genes together. And not the genome as a unitary actor, but the genome in conversation with itself, with other genomes, and with the outside environment. If grasshoppers becoming locusts, sweet bees becoming killers, and genetic assimilation are to be believed it’s those conversations that define the organism and drive the evolution of new traits and species. It’s not a selfish gene or a solitary genome. It’s a social genome.
Dead or Alive? >>
Is it time to kill off the idea of the ‘Selfish Gene’? We asked four experts to respond to our most controversial essay
I can vividly remember reading The Selfish Gene in my local library as a teenager: it was both a page-turner and something of a conversion experience. Richard Dawkins’s explanation of the unsparing reality of evolution blew like a cold, refreshing wind through everything I thought I knew about human nature, and is one of the great pieces of scientific writing from the last century. I was hardly surprised then, that David Dobbs’s essay ‘Die Selfish Gene’ provoked a fierce and prolonged debate when we published it in Aeon last December. But now it’s time to take stock: is the ‘selfish gene’ idea still a useful way to explain evolution? We invited four experts, and the writer himself, to respond to this question. And we invite you to join the conversation by taking our quick survey at the bottom of the page. What do you think: is it time to get rid of the ‘selfish gene’ or is it here to stay?
Brigid Hains, Editor
You are not who you think you are. Philosophers, from the Buddha to David Hume to Derek Parfit, have been telling us that for centuries. There is no essential you, there is no unchanging nucleus at the centre of your being, and there is no homunculus looking through your eyes and pulling the levers that steer your actions. Whatever you think the hard core of you is, it’s an illusion.